The second part of a look at how the Prince of Darkness is currently faring on screens small and big. Even while NBC’s primetime Dracula (does Downton) was staked to death, the undead icon still found time to pop up in familiar crypts and unexpected tombs. Perhaps his most important moment in the 21st century was close at hand: in the heart of Hollywood, dark plans were being written in ancient blood… Dracula Untold.
A Scrape of the Wing
Not the only Drac-on-the-box…
IN THE FIRST PART OF AD2015, NBC’S DRACULA MADE A COMPLICATED STAB AT CREATING A NEW KIND OF DRACULA. Despite that show’s many flaws that, ambition can’t be faulted. The setting and intent were true to the themes of Bram Stoker’s novel, even if it managed to rob itself of many definitive parts of the legend. Still, that wasn’t the only Drac-on-the-screen. The errant aristocrat had suffered the ignominy of being voiced by Adam Sandler in the 2012 animation Hotel Transylvania. Elsewhere, far from his routes in the Carpathian Mountains, 2013’s Dracula 2012 matched the Prince of Darkness’ tale to Indian folklores.
Dracula doesn’t really have a safe crypt at that network
On television, other incarnations returned from the dead – especially Eddie Izzard’s glorious interpretation of Grandpa Sam Dracula in Bryan Fuller’s 2012 Munsters revival Mockingbird Lane. Darker and more developed than Al Lewis’ 1960s version, his is predatory, homicidal, occasionally revelling in his feral powers and undoubtedly the count with a plan. Amid the violence and dark comedy, there was time to make sure that Grandpa had many of the same undead ‘skills’ Stoker gave him over a hundred years before.
The fact that it was again the NBC network that wavered over Fuller’s direction and decided not to pick-up the series suggests that Dracula doesn’t really have a safe crypt at that network. The silver lining to that incredibly premature cancellation was that Fuller was then free to create marvellous modern horror Hannibal for the network instead; that’s one form of copious blood-letting they obviously don’t mind.
Elsewhere the count took various cameo roles in 2013, including a vivid guest spot for a sadistic Vlad Tepes on Fox’s Da Vinci’s Demons. Just across from that Wales-shot series, the rejuvenated Hammer studios talked about Dracula a bit, but as with Herr Frankenstein, so far haven’t been able to find the fresh approach to the legend they insist on. All in all, it looked like the future may be a little more modern…. Until that theory was quickly debunked by ABC’s modernised fusion of gothic and romantic horror icons. 2013’s Gothica fell at the pilot stage, although there was to be greater success in that mash-up, Abbot and Costello approach over on cable…
Penny Dreadful (2014 – )
When you’re dealing with the undead there’s no rush
Continue reading “Dracula: “Learning from Mis-Stakes” – AD 2015 (Part Two)”
Following last year’s dissection of Frankenstein’s make-up in 2014, Jokerside turns to the original Dark Knight – the one who’s never allowed to retreat to the shadows. Just how is the legendary Prince of Darkness fared on the small and big screen in the peaceful few years before that other Batman swings back? In this first part, a look at NBC’s high profile adaptation… Er… Dracula.
DRACULA’S HUGE IMPACT ON POPULAR CULTURE BELIES THE ORIGINAL NOVEL’S LIFESPAN OF 118 YEARS. It was theatre and film that gave him wings, starting with a performance at the Lyceum penned by Stoker himself. And after a slow start the Count soon came to carve a significant cultural footprint in the 20th century thanks to the contemporary advent of film. Despite the legion vampires who have followed him he’s never stayed out of view… And as recent adaptations show there are plenty of facets left to explore.
Bram Stoker’s Dracula
“Stoker’s real masterstroke was to ally vampirism with sophistication “
No real introduction is necessary. There are reasons why the vampire that Bram Stoker crafted stood cape and fangs above all the blood-suckers that had come before. While the tale was lodged in late Victoriana it has refused specific categorisation in invasion, horror or gothic genres. And that proved a significant benefit in the century that followed, with adaptations dragging Dracula into every genre imaginable.
Stoker’s opted to title his protagonist Dracula rather than the mooted Count Wampyr, for reasons unknown. Apart from a modicum of subtlety you would hope. There’s little to suggest that he knew a great deal about Vlad the Impaler, the 15th century member of House of Drăculești and infamous protector of the Romanian people, who went by the name of Dracula. Though by seizing that family name, Stoker opened up a treasure chest of exploration – as potent for writers as the more obvious facets of blood, horror and immortality. But away from Eastern European royalty, Stoker’s real masterstroke was to ally vampirism with sophistication. The central European locale, the entwining of love and vampirism, the superstitious deterrents… They had all existed before, notably in Dracula’s Irish near-comparator Sheridan le Fanu’s Camilla. But Stoker bolted on Victorian sensibilities to the myth of the vampire, including aristocracy, society standing, land-owning and the natural development of The Grand Tour. It was a compelling mix and one that proved irresistible when the character hit screens a few decades after publication: particularly Bela Lugosi’s imperious entrance on the stairs of Castle Dracula in 1931. Bram Stoker seized on many contemporary elements to craft his tale. And at the tail end of the gothic era it proved inspired and highly influential.
As with that other giant of Victorian literature, soon to earn a deerstalker and cape of his own, the temptation to update the 19th century setting is all the more irresistible when there is ready-made mystery in the origin. Although, as Hammer’s soulless and fairly disastrous Seventies updates to the myth show, it’s a tricky business. Still, the Count is endlessly resourceful in his reincarnation, and as recent adaptations show he’s as full-blooded as ever. Continue reading “Dracula: “Vlad about Town” – AD 2015 (Part One)”