The scarlet speedster has made it to live action television for the second time. And it looks as though he has legs in the new brave world of small screen super heroics.
FLASH. THE FASTEST MAN ALIVE. WHEN IT COMES TO NOT SO SECRET ORIGINS, IT WAS THE JUSTICE LEAGUE OF AMERICA THAT ALLOWED THE FLASH TO CREEP UP ON ME. In particular, as part of Grant Morrison’s sublime roster of the retooled Justice League of America almost two decades ago. But earlier in the ‘90s I probably claimed, and probably still have, a record for the most Blockbuster rentals of the 1990 Flash TV series.
That wasn’t all of its first and only season of course – it was well before the ‘Time of the Box Set’. That single VHS may well have been a TV movie pulled from multiple episodes, probably a pilot, but I distinctly remember Mark Hamill’s Trickster appearing which would place it in the latter half of costumed campery.
“A particular highlight was the incredible Flash suit“
The Flash was in many ways a ridiculous show, costing $1.6million an episode, riding on the coat-tails of Batman’s big screen breakthrough the year before and like that film nicking Danny Elfman for the score. History has been unkind. For all the missteps in its superhero antics and struggles with the special effects of the time (really, not that bad), it was an important rung on the ladder that’s brought us the complex string of comic book movies on the small and big screens today. A particular highlight was the incredible Flash suit designed by Stan Winston Studios. Sculpted and deep scarlet, it certainly looked the part – in fact remains the best representation on screen, if a little impractical and perhaps in hindsight, a little The Tick. Continue reading “The Flash: The Fastest Show on TV Returns”