The final part of a Terminator retrospective that mixes its twisting timeline with some of the horror roots behind each instalment. Jokerside’s looked back at 1964 to 2004, but now the twist gets harder, from The Sarah Connor Chronicles to Terminator Genisys. Spoilers abound…
THE CHANCES OF THE TERMINATOR FRANCHISE REGAINING THE CRITICAL APPRECIATION OF ITS EARLY DAYS ARE AS REMOTE AS SKYNET AGREEING A TRUCE WITH HUMANITY’S LAST UNDERGROUND CITY OF ZION. Still, The Terminator remains intriguing; relatively distinct from and self-assured compared to young pretenders like The Matrix. After years in the ether, the Terminator film rights are due to revert to T-Master James Cameron in 2019. But amid terrible marketing, reviews and release, the latest attempt to reboot, a film superior to its immediate two predecessors in many ways, has somehow managed to gross over $400 million at the international box office. Impressive work, showing that there’s still fuel left in the endoskeleton. Arnie wasn’t lying about T-800s lasting 120 years.
Against expectation, The Sarah Connor Chronicles appeared late last decade and wowed a small but influential audience. As it’s the most consistent and longest running Terminator story it makes the cut here, in a franchise that happily rides roughshod over previous instalments. And following the seminal first two parts, and the major time split caused by Judgment Day’s arrival in the third film, that’s where this glance at the horror of The Terminator series begins…
2007 – 2008 (via 1999) – Key series: Terminator: The Sarah Connor Chronicles (Released 2008 – 2009)
Where we are: Sarah and John Connor emerge on a freeway in San Francisco, swapping 1999 for 2008 with their guardian Terminator Cameron (not as beardy as the franchise creator who gifted her name). Judgement Day has been deferred, but as much as the Connors have bought some time with their disappearance, resistance and Skynet forces are growing in a past increasingly forming a temporal civil war. Sarah and John set about stopping the armageddon once and for all, leaping twists and turns as they go.
“Come with me if you want to live”: Several times, courtesy of the delightful and mysterious new Terminator model – the T-900 series Cameron.
Skynet mechanism: Military. Via AI, chess machines and temporal sabotage. Or is it?
Horror: Psychological / And Then There Were None
“The future’s ours and it begins now.”
Splitting the timeline, and deliberately ignoring the events of Terminator 3 (the clue’s in the title), the two short seasons of The Sarah Connor Chronicles may be Terminator’s finest hour(s).
“Great, it looks like a robot serial killer lives here”
Where to start. Praising The Sarah Connor Chronicles could take volumes, and perhaps it will take over Jokerside one day… But let’s get it over with succinctly here. For all the trauma of the material, fan expectation and behind the scenes machination, possibly no other series has carved an original and captivating narrative from a simple pitch, while retaining the essence and maintaining the sanctity of two seminal blockbuster films. No, not even Timecop. But, there are inherent problems with taking that one line pitch from the first film and fixing it to an ongoing narrative.