Doctor Who: The Master through the decades – The New Series Compression Eliminated

The New Series Masters - 21st century

Bringing the Master’s journey up to the current day. For the past two years, Jokerside has tracked the Doctor’s arch-nemesis through time… Well, through the past five decades. From his suave arrival in the 1970s to her tussles with the Twelfth Doctor, Jokerside presents the summary… The 21st century: The Master throughout the New Series!

ARRIVING EIGHT YEARS INTO THE SHOW’S RUN, THE MASTER QUICKLY ESTABLISHED HIMSELF AT THE TOP TABLE OF DOCTOR WHO VILLAINS. The 18 years that followed saw mixed fortunes for the dastardly Time Lord, from volte faces to crispy husk, from zombie smarmy to a complete lack of priorities.

The suggestion remained however, that the foe would always return for the big moments. While the Daleks and Cybermen stole a spot in the show’s 25th anniversary season, it was the Master who backed the final story of the Classic Series. On many levels, brilliantly named Survival. Seven years later, it was the Master who took the role of antagonist in the Doctor’s short-lived foray into American television.

So surely it was a done deal that the show’s glorious return to British screens in 2005 was counting down to the greatest death-dodger’s next resurrection… It just took a couple of years. And when this Jokerside retrospective of the Master through the decades reached the 21st century, a few rules needed to be broken.

The schism caused by the Great Time War on screen and the machinations of the BBC behind it, led to two parallel glances for the first decade of the new century. The Who canon had split and the trail of the Master with it. Although it hadn’t appeared likely at the beginning of the decade, the 2000s would prove to be a pivotal decade for the despicable Time Lord. He was to take on three distinct forms, breaking out of his survivalist years with a bang, before plummeting back to them and helping to take out yet another of the Doctor’s incarnations on the way. And then things were really going to change.

But the confusion started, as Jokerside observed, with the villain’s demise at the close of the 1996 TV Movie, “an inescapable ‘curse of fatal’ type death, was subsequently picked up by two very different returns that resolved in two parallel universes. And of course, thanks to the ever-eccentric machinery of the BBC, they’re as co-dependent as they are incompatible. Yeah, and people wonder why fans are pre-occupied with canonicity… To make matters even more confusing, across the two realities there are some notable similarities to mull.”

So, let’s split the universe.

The Master in the 2000s – “Dear me, how tiresome” (A Tale of Two Jacobis)

Scream of the Shalka, online anniversary special (2003)

The Master in Scream of the Shalka and UtopiaNovember 2003 marked Doctor Who’s 40th anniversary, but there wasn’t to be much of a celebration or televised special as there had been around the show’s 10th, 20th or 30th birthdays. At least, not in the usual sense. Doctor Who was no longer a beast of television, but continued through an extended universe of audio plays, books official and unauthorised, comics, reprints, merchandise and in the of-their-time web pages of BBC Interactive.

The dream project of James Goss, then BBC producer now Who author, had to steer the production over rocky terrain to bring a new kind of special to dial-up internet across the world. Gs pulled a number of great decisions from the jaws of adversity, such as hiring Paul Cornell to pen the script. And Cornell’s take was no slavish continuation:

“Cornell crafted a classic and creepy tale in the Quatermass-mould, an innovative invasion that was in many ways a lighter precursor of the process Russell T Davies would undertake for the television reboot. It’s no surprise they came up with some similar solutions in the changed media landscape of the new century. Rightly ignoring regeneration, as Rose would, Shalka introduced a new Doctor with a notably sharper and fluctuating personality, coping with in-built angst as he struggled to shake off the grief of losing an unseen and un-named female companion. In this continuity, much to his chagrin and resentment he’s continually dispatched to problem areas by those unseen and unnamed… We can only assume that the Time Lords had a new PR team in.”

And alongside Richard E Grant’s new Doctor came was a refreshing if deceptively familiar Master in tow.

“In a series of short scenes, this Master cuts a memorable figure. Superbly voiced by Derek Jacobi, his is an incarnation very much in the Delgado mould. In many ways, this is Cornell’s love letter to that Master. But the trick here is that he’s never a major threat. As if he’s trapped in a time loop of the last few minutes of almost every one of the Delgado incarnation’s plots – forced into joining forces with the Doctor.”

Cornell managed the difficult feat of wringing classic menace and humour from the villain, enhanced by the flash-based but effective animation that often keeps, “this android Master’s silhouette in shadow amid stunningly shadowy imagery, as if to compound his mysterious constraint.” The links were never tied up, but there are clear assumptions to be drawn from this and his fate at the climax of the TV Movie. Best of all, it brought a ready-made new dynamic for the show’s leading Time Lords: Read more…

Doctor Who: The Master in the 2000s – “No beard this time… well, a wife”

Master The Master John Simm

When it came to the 21st century, we should have known we were in for a helluva ride. Far removed from the tin-pot schemes of the 1980s and the side-notes of the previous decade, the time of the Master was upon us. Having escaped the Time War by the skin of his overstretched regenerations, even the Master couldn’t have guessed how big he was going to get. A select journey from homicidal Prime Ministers to paradox machines…

The Sound of Drums and The Last of the Time Lords (Series 3, 2007)

IF COINCIDENCE HAS A FIELD DAY ANYWHERE, IT’S IN THE VAST AND CONTRADICTORY EXPANSE OF THE TIME VORTEX. And so the third series of the refreshed, renewed and lightly rebooted Doctor Who found at the end of time and the last stand of humanity when a chance encounter with an old but doddery genius, a forgetful but kind, old professor left the TARDIS crew stranded and the Doctor, in the best and worst way, not the last of his race.

Hindsight of subsequent six series can’t dull the freshness of Russell T Davies gratuitous dystopian trick in the antepenultimate episode of Series 3, just about kicking off the show’s first three-parter since 1989. In 2005’s first series, Davies had returned the Daleks to the small screen, navigating the intricacies of the Terry Nation estate to bring some Pepper-Pot classics back to the show. In the second year came the not so imperious return of the Cybermen, this time opting for a parallel universe origin tale. Following hotly behind the unexpected Macra cameo in Series 3’s Gridlock, the Master was the next obvious candidate to make a return, and so completing a set of classic villains and monsters, who’d rocked up in the New Series in the same order as they had during the 1960s and 1970s. The Master was a big scalp of course, as the production team had as much fun hinting about his return as fanboys had speculating. Take the guest starring appearance of Anthony Head in Series 2’s School Reunion, carefully flashing up in the series trailer next to partially obscured sign “…Master”. Of course, he was the “… Headmaster”, and despite enjoying the Western stand-off he had with the Doctor, fans retreated to their lairs waiting for the inevitable. And so it came. The first new Time Lord in a world very much built around the idea that the Doctor was alone, the last of his kind.

Was that really six series ago?

Straight to the Point

“Oh, a nice little game of hide and seek, I love that”

Following the events of Utopia, surprisingly resilient tension-filled momentum that remains unbeaten in the show, the resulting two-part finale has no intention of hanging about. There’s a fresh Master, force regenerated to match a bounding incarnation of the Doctor (and no doubt taking advantage of a fresh regeneration cycle bestowed on him by the Time Lords before cowardice took over), hijacking the Doctor’s TARDIS and heading into the unknown of space and time. Fortunately, with the traditional vortex effect, Captain Jack’s old vortex manipulator, which would stay with the show for some time to come, hurls the Doctor, Jack and Martha into our present day to set about discovering what became of the rogue Time Lord.

Absolute Power

“The Master is Prime Minister of Great Britain”

The Master, stable and secure as a majority-backed, popular and time-rich Prime Minister is a great conceit. Not only does it let Russell T Davies turn his scripts back to pointed politicism but also saves the usual skulduggerous slow reveal of the Master’s plot that had on more than one occasion reduced him to pantomime. It also gives us a glimpse of the Master at full power, a considerable challenge for the Doctor to overcome but also height of great distance for a defeated Master to fall. The Master had never been so outlandish and sadistic. And that’s saying something. Although there is more in common with his original suave, indifferent, amoral and confident appearance in a sequel four decades before than had been seen for years, what would unravel from these heightened stakes is true marmite for Whovians.

We are allowed plenty of time to watch this incarnation in action, from teasing and murdering at will to sending very specific messages to the Doctor and crucially, his companions. John Simm’s incarnation may be a little strained, just as the Tennant version of the Doctor was, but in many ways is also picks up traits from the Ainley incarnation who’d happily sneer at the lesser mortals. Far removed from the 1980s however, he’s dispensed with his faux-suave nature as he’s rediscovered his taste for large-scale plots (it helps to have real taste buds back) and finally, an appreciation of companions. Both the Doctors and of his own. Of course, the taste for larger scale plotting had really returned during the 1996 TV Movie, along with the wet shave. But who would have put any space currency on both remaining with him after meeting the Eye of Harmony.

After the future Earth smashing of the Series One finale and the monster mash-up, London bash-up of Series Two, the third series needed to be as large as this international, universe threatening romp and he was the Time Lord for the job.

Filling the TARDIS

“Mr Saxon does like a pretty face”

Perhaps the strangest change for this Master is, much to multiple Doctor’s amusement in the succeeding short Time Crash, is… His wife. The rather strange first lady of Britain is later revealed to be very much The Master’s companion – the first time we’ve seen him adopt one as the Doctor might. Aside from broadening the drama, it’s hard not to see this as a reflection of the fact that a partner-less leader is simply not electable in this day and age, psychic boost or not.

Despite having the time to manipulate events at source, the Master’s Harold Saxon’s has invented his past to gain the top job as the effective cameo from Nichola McAuliffe’s journalist highlights. And best of all, the real icing on the cake: his rise to power was possible thanks to the power void left by the actions of a very angry Tenth Doctor, dispatching Prime Minister Harriet Jones at the end of The Runaway Bride. Yes, this is a plot well laid. And while Utopia was a novelty, a fairy-tale glimpse into what could have been with a kindly and skilled, ‘better’ version of the Edwardian Doctor, it’s clear that these last two sons of Gallifrey, the Doctor and the Master, are fully entwined. Read more…

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