A year ago Jokerside celebrated the 20th anniversary of Parklife with a terrible commemorative re-writing of THAT song. Now, nearly 20 years after Blur made their Britpop swansong, 12 years after their last album, they return with their fourth ‘-post’ effort. So, now they’re undeniably less of a Britpop band then they were, what have they really done in the intervening two decades?
IT’S ALMOST 20 YEARS SINCE THEIR LAST BRITPOP RELEASE, ABOUT 16 SINCE THEIR LAST ALBUM AS A FOURPIECE, BUT BLUR HAVE STILL MANAGED TO PACK A BIT IN. THREE SEMINAL ALBUMS IN FACT. The game changing eponymous album released less than two years after The Great Escape, the mystical and Gorillaz unleashing 13 and then, with a four year gap and one of the four departed, the soft oddity Think Tank. Post-Britpop Blur may not have been quite as consistent as during the first four albums, but with the eighth out today it’s clear that the turbulence saw them produce some of their greatest tracks.
If there’s an adage that’s come out of The Magic Whip coverage it’s that the older the Blur album, the more you can write about it. Or perhaps, the more you need to write about it. That’s partly down to the fact that every paragraph has to begin with variations of “Jettisoning” ‘Abandoning” and “Dispensing” alongside “Britpop persona”. But now, 15 years into the 21st century, Blur have definitely tipped the balance. And fundamentally Think Tank is far more interesting than Parklife. Blur’s canvas has massively enhanced with each difficult and different album. And it’s not as simple as third person stereotypes making way for first person observation or losing their guitarist. Much of the time Blur’s music remains remarkably consistent, just interpreted and broadened by high production at different times and different places, and crucially by increasingly more accomplished and motivated musicians (People. Of. The. World). As a result Lonesome Road, the third single from The Magic Whip, can merrily sit side to side with 1993’s For Tomorrow as not only an unmistakable Blur song but a fine companion piece.
But before the new album, here’s a look at 12 Blur tracks that came after they “Removed themselves from Britpop”. Not the 12 best, but 12 of the best from the last 19 years that tell a story of one of Britain’s finest bands. Continue reading “Blur: 12 of the best post-Britpop”