Tag: Fourth Doctor

Doctor Who: The Master through the Decades – The Classic Series Compression Eliminated

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The Master 1970s 1980s 1990s

For the past two years, Jokerside has tracked the Doctor’s arch-nemesis through time… Well, through the past five decades. From his suave arrival in the 1970s to her tussles with the Twelfth Doctor, Jokerside presents the summary… The Master throughout the Classic Series!

IT’S THE DOCTOR’S 53RD BIRTHDAY, BUT IT’S STILL A GOOD FEW YEARS OFF THE GOLDEN ANNIVERSARY WHEN WE FIRST SAW HIM CATCH UP WITH AN OLD SCHOOL FRIEND. ARRIVING IN 1971, EIGHT YEARS AFTER THE DOCTOR, THE MASTER QUICKLY ESTABLISHED HIMSELF AT THE HIGH TABLE OF WHO VILLAINS. With some Doctors, particularly his fifth and third incarnations, the Master was a pervasive, era-defining foe. During his fourth incarnation, the first of the villain’s rare appearances proved to be a classic against the adversary. While almost the entirety of his eighth incarnation would have the Master in opposition. He’s the foe who has caused the death of at least two, possibly three, of the Doctor’s 13 lives so far. And that puts him far ahead of the other great contenders for the throne of evil.

Series 9 of the New Series kicked off with a spat between Davros and the Master, the latter now in her Mistress form, one-sided as it was. The creator of the Daleks emerged three years after the Master, but which one could be said to be the Doctor’s nemesis? Each character is a scientific genius, has put up with huge physical discomfort and revealed layers of intricate hate over the years, but there’s an important difference. Davros is the background to the Doctor’s great opposition, the one we’ve followed from its very beginning. But the Master, purely malevolent, emerged fully formed with so much of his back-story with the Doctor and the universe in general, hidden in time.

Where from Whovember?

For the anniversary Whovember retrospectives, Jokerside took each of the Classic Series Doctors, and followed a specific journey through each incarnation. Having completed the Eleventh Doctor retrospective, where else could Jokerside go but the Moriarty to the Time Lord hero’s Holmes? Taking a similar tack with the Doctor’s nemesis, what started as the spring-based MarchSter series grew to span six decades. From suave opportunist to desperate survivalist in one era, from android to Time Lady in another. When it comes to the classic years, it all began in a circus…

  1. Doctor Who: The Master in the 1970s – Arrival of the “Unimaginative Plodder”

Terror of the Autons, Season 8 (1971)

The Original Master - Doctor Who Marchester takeoverWe should have known when it started so surreally… At the beginning of Doctor Who’s Eighth Season an eccentric Time Lord, popping up in a Monty Python-going-on-Douglas Adams way, warns the Doctor that his old school colleague had arrived on Earth with the marvellous parting shot, “oh, good luck!” We’d already seen the Master arrive by that point, setting an immediate dapper impression in the crucially off-kilter setting of a circus. As Jokerside observed, “In just a few lines, in his first scene (appearing before the Doctor), Robert Holmes and Roger Delgado define a cool, impeccable, menacing and powerful nemesis.”

Indeed, Robert Holmes made yet another crucial contribution to the fabric of the series by shaping a brilliant Moriarty to the Doctor’s academic, occasionally Venusian Aikido-flaunting, Holmes:

“The Doctor has never worn facial hair, except when in disguise or imprisoned for years in a dwarf star alloy cube, apart from the odd sweeping sideburn that the 1970s couldn’t control. The Master… Had a beard, a goatee that may as well have had a “twiddle this ‘tache menacingly” label hanging from it. The Master had a fine taste in suits, the Doctor had a frilly shirt, multiple coloured velvet jackets and a cape! The Master was a force for evil, with hypnotic control cowardice. The Doctor was noble, occasionally grumpy but compassionate. The Master had a working chameleon circuit in a TARDIS with an occasionally black interior, occasionally reversed. They both dished out the same faint praise to each other, but then again they are both Time Lords.”

But Holmes’ doesn’t just deal in symmetry in shaping a character that would remain as antagonist in every story that season:

“The Master arrives with supreme superiority, no bad feat when facing off against the Third Doctor. It’s in Terror of the Autons that the sparring starts, but where the pretty compelling evidence that the Master is an all-round more skilled scientist than the Doctor is set. Why else would the Doctor feel the need to ridicule him so much?” Continue reading “Doctor Who: The Master through the Decades – The Classic Series Compression Eliminated”

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Doctor Who Series 9: Spam, Spam, Spam, Spam, Skaro and the End of the Acid Reign

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Doctor Who Series 9 The Magician's Apprentice
Doctor Who Series 9 The Magician's Apprentice

“Guys! Guys! I think I’ve landed a walk on part…”

The first of a series of essays inspired by the stories of Doctor Who Series Nine, starting with a trip to a mysterious planet in The Magician’s Apprentice and The Witch’s Familiar.

HOW WILL HISTORY RECORD THE MOFFAT ERA? THAT’S NOT A QUESTION FOR NOW OF COURSE, AND ONE UNLIKELY TO BE ANSWERED FOR A LONG TIME. WHEN THE SONIC GLASSES HAVE GATHERED DUST, WHEN THE TWELFTH DOCTOR’S MYSTERIOUS, HAWKISH, STRANGELY FAMILIAR FACE IS LONG GONE. Steven Moffat has written for more Doctors than anyone else, and you can’t even say with any confidence that he’s on his final one as showrunner… Having crossed confidentially onto his second Doctor and nearing the end of his second major companion, it’s not clear Who will go down as Moffat’s ‘definitive’ Doctor. And that joyfully creative mess sets out a simple stall…

Thanks for all the fish

Douglas Adams was surely Graham Williams’ ideal ally…

Moffat’s remarked on his regard for one time script editor Douglas Adams, not just for his small but extraordinary body of personal work (who doesn’t?), but for the legendary writer’s rather more divisive tenure on Doctor Who. In the mid-1970s, Adams had made a living out from writing comedy for radio, even forming a writing partnership with Monty Python’s Graham Chapman and being only one of two people outside the troupe to gain a writing credit on a sketch for the Flying Circus. Not fully on board with the likes of deadlines and delivery, it’s still surprising that he took the script editing seat for Season 17 in 1979 alongside producer Graham Williams. It didn’t help that the laws of the universe ensured that his little radio series The Hitchhiker’s Guide to the Galaxy was commissioned for broadcast at the same time. Still, for the producer unlucky to follow Philip Hinchcliffe, tasked with fencing the show off from the heavy criticism that met his predecessor while retaining the viewing figures, Adams was surely an ideal ally.

The result is one of Who’s real mixed bags. Sadly, having already contributed a mind-bogglingly budget-straining script to the show the year before, Adams generally takes the credit for the highs of that time, while the lows are rather unfairly brushed under Graham Williams’ production seat. Adam’s The Pirate Planet from Season 16 is seen as a doughty attempt push ambition onto a screen that can barely contain it, The City of Death (co-written by a strained Williams and Adams from David Fisher’s idea under the David Agnew pseudonym) is a beautiful mess of sharp scripting, superb casting, foreign location and hard science fiction that managed to claim the classic show’s highest ratings. Shada had the foresight to never complete its production and shot swiftly for mythical status.

The rest of season 17 retains a fair few detractors, although there remains a few ardent fans for that loose and difficult time before the strident science of script editor Christopher H. Bidmead swept in, while Tom Baker took an arbitrary approach to whether the material bored him of filled him with sizzling physical comedy. If you like your Who served as comedy this is the place to find it.

Don’t Blink

To paraphrase 10cc, it’s just a phase Who’s going through.

Continue reading “Doctor Who Series 9: Spam, Spam, Spam, Spam, Skaro and the End of the Acid Reign”

Doctor Who: The Trial of Morbius!

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Doctor Who and the Trial of Morbius!

Doctor Who and the Trial of Morbius!

A special post to celebrate the single calendar month until Doctor Who’s return! As the Doctor’s new adventures will once again visit the Sisterhood of Karn – first seen in a Tom Baker classic and last seen propelling the Eighth Doctor into the Time War – it’s the ideal time to look at the random rogue whose history is entwined with theirs. That insufferable and eternally unlucky Time Lord dictator Morbius. He remains shrouded in mystery despite occasional return visits to him over the years – visits that have varied markedly in quality. So, time to cast the verdict on the temporal despot – From The Brain of Morbius to novel Warmonger to Big Finish’s Vengeance of Morbius.

Let the Trial of Morbius commence!

SERIES NINE OF NEW DOCTOR WHO IS NEARLY UPON US, AND THE TRAILERS HAVE BEEN UNLEASHED TO SWIRL EXCITEMENT LIKE THE FIERY SKIES OF KARN. Ah yes, Karn. Beyond the maybe-Tharils, multi-generational Daleks, guitar solos and hmm, trips to Skaro showcased by the trailer, a few things escaped the web of secrecy early. And one was the intriguing return of that neglected planet and its famous Sisterhood!

Early Submissions: A trip to Karn

“It’s so rare that anyone arrives here on Karn…”

The Sisterhood of Karn, the mystic, matriarchal coven that fastidiously and sometimes fatally guards the Sacred Flame first appeared in the classic Fourth Doctor Frankenstein riff, The Brain of Morbius. What a name and what a story – one that features as Exhibit A. Two decades later, Virgin’s New Adventures, the series that did many things for Who not least allow many of today’s show-shapers have their first stab at the Time Lord, took a closer look at the Sisterhood. Within the first few books Marc Platt had uncovered their history, something he would return to at the end of the range in the Gallifrey illuminating Lungbarrow. Before Karn, they were the former matriarchal over lords of the Doctor’s home planet only to be driven from the planet by Rassilon. There would later come oblique glances to this Gallifreyan old religion over at Big Finish, particularly in the 50th release Zagreus. Overall, it’s proved a satisfying backstory, one that’s enhanced their position in The Brain of Morbius, building on the predominantly patriarchal Time Lords of science, the Sisterhood’s rum deal on the nearby backwater planet of Karn and the peculiar, yet light, symbiotic and untrusting deals between the two telepathic civilisations.

40 years after their television debut, the Sisterhood turned up to provide the catalyst for the unexpected. Not only did they facilitate a directional regeneration for the Eighth Doctor, but finally brought the errant Time Lord into the Time War. It was an act that, from hindsight, would define new Who and particularly the 50th anniversary. Expect big Time Lord revelations whenever they appear, but this court hasn’t been convened for the Sisters of the Flame. It’s to address the treatment of their sometime neighbour, the Time Lord dictator who wouldn’t leave them alone, and who their fate is often entangled with. One of Gallifrey’s most evil sons. Morbius. And with a name like that…

Character Reference: Morbius

“You see nothing was ever beyond my genius.”

Morbius is bad, really bad. We know that as he was the first of their own kind that the Time Lords sentenced to death. We also saw the bust of his most imperious face, which couldn’t be cast more like a warlord of ancient Earth civilisation. But then, one nation’s warlord is another’s glorious leader. Unless it’s a society dulled through millennia of stagnation and entropy. He inspired followers when alive, and acolytes in his death. He was a phenomenal tactician, charismatic leader and a virtually unstoppable force – a force that could only be halted by an immense alliance and fatal measures. Even the Time Lord prison Shada couldn’t contain this bad guy. Yes, on Gallifrey we’ve seen skulduggery and political machination ever since Robert Holmes’ The Deadly Assassin. But when Morbius appeared a season before that he was already a different type of Time Lord, albeit one we could only view through the slightly more God-like Time Lords the audience had so far seen in the show. Morbius is unlike most of the Doctor’s bi-hearted, time-traversing antagonists. Neither a figure form Gallifrey’s distant past like Omega nor one of the Doctor’s teachers as we’d later find with Borusa, nor one of his classmates at the Academy in the mould of the Monk, master or Rani. Morbius was a contemporary war criminal. A rise and quashing that quite plausibly happened after the Doctor’s flight from his home planet. The Doctor and Morbius didn’t know each other and the Doctor hadn’t been involved in that particular Time Lord crisis. Or so we thought…

Continue reading “Doctor Who: The Trial of Morbius!”

Doctor Who: The Late 1970s, The Fourth Doctor and Stitches in Time

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Doctor Who and the late 1970s

Doctor Who and the late 1970s

 

40 years on from his first full appearance, there may not be a better time to look at the Fourth Doctor, still the very real and lasting giant of the series.  As Last Christmas showed, there’s a lot to be said for a snappy, irritable, aloof and alien Doctor in this universe. It’s not just the Glam side of the 1970s that will play a key role in the future of Doctor Who?

THE START OF THIS WEEK MARKED ONE OF THE GREAT ANNIVERSARIES IN ALL WHODOM: 40 YEARS SINCE THE FOURTH DOCTOR’S FIRST FULL EPISODE. He’d already appeared at the tail-end of Planet of the Spiders in June 1974. But lying prone on the floor, there was precious little indication of what was to come, even in that first rather simplistic serial Robot. In hindsight, after a staggering seven seasons, encompassing 41 stories and 172 episodes Tom Baker’s Fourth Doctor remains the most prolific of the Time Lords. The Tenth and Eleventh incarnations would come close with 36 and 39 stories respectively, thanks to 2005’s format change. But still, despite the strong and sterling headway the last two made in America, it’s often the famous grinning, long-scarved figure of the Fourth that pops up in popular culture.

Repetition

Losing his hat where Pertwee would pick up his cape…

Jokerside’s Whovember series took a long look at the Fourth Doctor’s debut season, reasoning that it’s the single finest series of Doctor Who. And when it came to his debut appearance, it was clear that “Tom Baker… did something different”:

“Immediately, Baker’s Doctor isn’t as attached to UNIT as Pertwee’s had been, even during his last season. He can’t wait to escape but as he says, “I hate goodbyes”. Watching it, I can’t help but think what any other Doctor would have done. Had it been the Sixth, he may well have buckled down a lot sooner. Still, the Fourth had his own slightly too silly costume selection to make. Overlong and reaching, fortunately once chosen, it’s the speed and comfort that’s the punch line. Years of familiarity have enhanced the joke. And then the more telling phrase for this Doctor: “There’s no such word as can’t”.

“Hanging between that and “No point in being grown up if you can’t be childish sometimes” the Fourth Doctor comes straight out of a peculiar Gallifreyan can. One that’s bigger on the inside obviously. They are words to live by, and live he does. Lounging around Bessie in a way Pertwee would have tutted at, losing his hat where Pertwee would pick up his cape – but still carrying off the role of the scientist when he needs to.”

– Doctor Who: A Fresh Scarf – “Harry Sullivan is an imbecile” (Whovember #4)

Though resolutely still in the UNIT set-up, albeit one softened by the Third Doctor’s recent mobility, and written by Third Doctor stalwart Terrance Dicks, the Fourth Doctor’s initial appearance is an instant tide-turner. Almost immediately – far more than his predecessor, a noted comic actor – Baker is happy to lets loose with laugh out loud moments. True, he’s nominally not ‘acting’ a new persona as much Pertwee had, but he’s instantly engaging.

To summarise the Whovember breakdown, Tom Baker’s arrival got everything right. Though cast by outgoing producer Barry Letts the new Doctor couldn’t have hoped for a better incoming producer and script editor. While he may be losing an increasingly sparse UNIT family, Baker was incredibly lucky in the companion stakes. Sarah Jane Smith really came into her own when paired with this incarnation of the Time Lord, possibly his perfect foil. But she wasn’t alone, with a season of (lovable) public school idiot Harry Sullivan rounding off one of the all-time classic TARDIS crews. That’s fortunate, as the first full season story arc in the history of Who saw them propelled across five adventures over 20 weeks with very little TARDIS in sight. Continue reading “Doctor Who: The Late 1970s, The Fourth Doctor and Stitches in Time”

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