Doctor Who: The Master through the Decades – The Classic Series Compression Eliminated

The Master 1970s 1980s 1990s

For the past two years, Jokerside has tracked the Doctor’s arch-nemesis through time… Well, through the past five decades. From his suave arrival in the 1970s to her tussles with the Twelfth Doctor, Jokerside presents the summary… The Master throughout the Classic Series!

IT’S THE DOCTOR’S 53RD BIRTHDAY, BUT IT’S STILL A GOOD FEW YEARS OFF THE GOLDEN ANNIVERSARY WHEN WE FIRST SAW HIM CATCH UP WITH AN OLD SCHOOL FRIEND. ARRIVING IN 1971, EIGHT YEARS AFTER THE DOCTOR, THE MASTER QUICKLY ESTABLISHED HIMSELF AT THE HIGH TABLE OF WHO VILLAINS. With some Doctors, particularly his fifth and third incarnations, the Master was a pervasive, era-defining foe. During his fourth incarnation, the first of the villain’s rare appearances proved to be a classic against the adversary. While almost the entirety of his eighth incarnation would have the Master in opposition. He’s the foe who has caused the death of at least two, possibly three, of the Doctor’s 13 lives so far. And that puts him far ahead of the other great contenders for the throne of evil.

Series 9 of the New Series kicked off with a spat between Davros and the Master, the latter now in her Mistress form, one-sided as it was. The creator of the Daleks emerged three years after the Master, but which one could be said to be the Doctor’s nemesis? Each character is a scientific genius, has put up with huge physical discomfort and revealed layers of intricate hate over the years, but there’s an important difference. Davros is the background to the Doctor’s great opposition, the one we’ve followed from its very beginning. But the Master, purely malevolent, emerged fully formed with so much of his back-story with the Doctor and the universe in general, hidden in time.

Where from Whovember?

For the anniversary Whovember retrospectives, Jokerside took each of the Classic Series Doctors, and followed a specific journey through each incarnation. Having completed the Eleventh Doctor retrospective, where else could Jokerside go but the Moriarty to the Time Lord hero’s Holmes? Taking a similar tack with the Doctor’s nemesis, what started as the spring-based MarchSter series grew to span six decades. From suave opportunist to desperate survivalist in one era, from android to Time Lady in another. When it comes to the classic years, it all began in a circus…

  1. Doctor Who: The Master in the 1970s – Arrival of the “Unimaginative Plodder”

Terror of the Autons, Season 8 (1971)

The Original Master - Doctor Who Marchester takeoverWe should have known when it started so surreally… At the beginning of Doctor Who’s Eighth Season an eccentric Time Lord, popping up in a Monty Python-going-on-Douglas Adams way, warns the Doctor that his old school colleague had arrived on Earth with the marvellous parting shot, “oh, good luck!” We’d already seen the Master arrive by that point, setting an immediate dapper impression in the crucially off-kilter setting of a circus. As Jokerside observed, “In just a few lines, in his first scene (appearing before the Doctor), Robert Holmes and Roger Delgado define a cool, impeccable, menacing and powerful nemesis.”

Indeed, Robert Holmes made yet another crucial contribution to the fabric of the series by shaping a brilliant Moriarty to the Doctor’s academic, occasionally Venusian Aikido-flaunting, Holmes:

“The Doctor has never worn facial hair, except when in disguise or imprisoned for years in a dwarf star alloy cube, apart from the odd sweeping sideburn that the 1970s couldn’t control. The Master… Had a beard, a goatee that may as well have had a “twiddle this ‘tache menacingly” label hanging from it. The Master had a fine taste in suits, the Doctor had a frilly shirt, multiple coloured velvet jackets and a cape! The Master was a force for evil, with hypnotic control cowardice. The Doctor was noble, occasionally grumpy but compassionate. The Master had a working chameleon circuit in a TARDIS with an occasionally black interior, occasionally reversed. They both dished out the same faint praise to each other, but then again they are both Time Lords.”

But Holmes’ doesn’t just deal in symmetry in shaping a character that would remain as antagonist in every story that season:

“The Master arrives with supreme superiority, no bad feat when facing off against the Third Doctor. It’s in Terror of the Autons that the sparring starts, but where the pretty compelling evidence that the Master is an all-round more skilled scientist than the Doctor is set. Why else would the Doctor feel the need to ridicule him so much?” Read more…

Doctor Who: Ranking the Hiatuses!

doctor Who on hiatus

They’re a crucial part of being a Doctor Who fan. And. It’s. Happening. Again.

But how does the latest pause in broadcast weigh up?

IT’S ONE YEAR SINCE DOCTOR WHO SERIES 9 BEGAN IN A HAZE OF ODDLY PITCHED PUBLICITY. You remember: low on any mention of Davros even though that scheming despot revealed his face before the first episode’s titles rolled and high on “same old, same old – just the Doctor and Clara Oswald in the TARDIS”.  A riveting campaign.

Still, it was a whistle-stop series that ninth one. Multi-part stories had taken a lengthy break between Series 6 and 8, but they roared back in 2015. Constant two-parters and linked single-parters meant broadcast weeks flew by like a mid-western café-TARDIS in the vortex. That was compounded by the 12th Doctor’s second run, like Series 8 before it, making a mere 12 parts as opposed to the 13 instalments the show enjoyed for the first seven years of its renaissance. So, we were getting less Who and it was pelting by quicker than ever. That much was clear. But a year on, having a good look around, there’s no not a flash of a scarf, fez or velvet jacket in sight. The Doctor’s not in.

In late winter the 13th episode of 2015, the obligatory Christmas Special, was posthumously revelled to be the last episode of Doctor Who we’d see for a whole year. A whole year we were already a year into. There was to be a pause, a year off, a hiatus. It’s the kind of announcement that Doctor Who fans thrive on. Because they’re used to it. All the better that last year’s Christmas special wasn’t a full pelt classic, but a rather linear one-joke story of nothing much at all. What better to spend a year without Doctor Who, while countless other genre shows over the Atlantic churn out full seasons of over 20 episodes with little perspiration, than rewatching The Husbands of River Song. Doctor Who will return in spring 2017, likely the Easter weekend in April.

But in that spirit of pure, niggled injustice, itself celebrating a 30th anniversary this year while the one year anniversary of Series 9 goes unmarked, Jokerside pays tribute to Who’s years of utter Doctor-less misery.

Brave Heart!

Jokerside’s definitive ranking of Doctor Who hiatuses

11th Doctor hiatus
NUMBER 5 (Joint): 4 June 2011 to 11 August 2011

AKA When Nobody Noticed

Caused by: The 11th Doctor and the Ponds

It was the first sign of a horrid and virulent infection…

How we survived: Well, who noticed? It was just a couple of months. And it’s perfectly normal behaviour to split a series of 13 episodes into two batches and stage mid-series finales and premieres that impressively rendered the whole River Song story arc all the more difficult to follow.

In fact, it was the first sign of a horrid and virulent infection. This most insidious of acts led us inexorably on to Series 7 which dared split itself over two years when already saddled with mid-season companion changes and the misguided restriction to single-part ‘blockbuster’ episodes. But worst of all, that split shifted the show to… Autumn. Who in its natural habitat you might think. Rolling onto Saturday as the nights as drew in. Only it didn’t work out like that. And all the time the execs quietly hoped that shift meant that… No-one would notice we’d lost a year of Who. As of 2017 we reach the 10th series in the 12th year of is revival thanks to this middle-aged crisis.

Yes, it all started with that trip to the States and the astronaut in the lake. As strong as that first half of Series Six is (pirates excluded), very little about it makes sense.

10th Doctor hiatusNUMBER 5 (Joint): 25 December 2008 to 1 January 2010

AKA: The Specials Hiatus

Caused by: The 10th Doctor (and behind the arras, Hamlet)

Insidious and far more intelligent

How we survived: Again, who noticed? Well, everyone. Because while this was less insidious and far more intelligent than the later series splits, it unavoidably resulted in just five hours of Doctor Who in little over a year, the vast majority of it stuffed into autumn 2009. The only thing we could reasonably expect is that the promise of loner specials couldn’t quite live up to their promise at all. And so it proved. That strange year did have one essential function however: giving us an extra year of David Tennant. And it’s a template that’s stuck, unless Peter Capaldi chooses to break it. Matt Smith followed tenant and inarguably left the show one year too early. Barring accidents, it’s difficult to think that any modern Doctor won’t throw in the time-towel after three seasons and a break of some kind. Although those Specials were by far the neatest solution. Read more…

Doctor Who: The Master in the 1990s – “I’m glad one of us is amused”

TV Movie The Master Eric Roberts


One MaRCHster long-read to unite them all…

As the Doctor Who: The Movie reaches 20 years old, this is it – a special bonus MArchSTER looking at 1996’s peculiar and divisive incarnation of the Master. An irresistible glance, as oddly, the cycle of the Doctor’s Time Lord rival almost came full circle…

“Humans, always seeing patterns in things that aren’t there”

OVER A DECADE AFTER DOCTOR WHO’S SUCCESSFUL RETURN TO BRITISH TELEVISION, THE WEIGHT OF HINDSIGHT HANGING OVER THE DOCTOR’S SHORT FORAY ACROSS THE ATLANTIC COULDN’T BE GREATER. Perhaps it’s no surprise that a film that struggled to accommodate the wealth of the show’s history, while refusing to fully reboot from the roots of its original run, ended up dipping into the past so much. And through the trials and tribulations that marked its emergence, despite its resolutely fin de siècle setting, how fitting that the American TV Movie paid tribute to the Master in the decade of his first appearance…

The Television Movie (1996)

A history of villainy

“You want me to kill you?”

The path Doctor Who took to America was long and tortuous. Even when it reached production, the sheer number of stakeholders on both sides of the Atlantic made tough going. There’s no doubt that between the stand-offish/love the property found at the BBC of the time and evangelistic/waning interest among American production companies, casting demands, excessive script notes and strengthening Canadian dollars that impacted its Vancouver production, what reached the screen wasn’t quite what anyone expected.

Philip Segal was the producer who saw the opportunity and pushed to bring the property, left fallow by the BBC. Having fond memories of watching the show while growing up in the UK, before he emigrated to the US and ultimately joined Steven Spielberg’s Amblin, His single-minded passion lies behind its very existence.

When pre-production finally swung into gear after years of protracted placing of jigsaw pieces, creating the Bible for the potential American series fell to writer John Leekley. A writer who grew an obsession with Pertwee era-Who during development, but was set to become one of the franchise’s lost figures. His outline was canon-defying, pitching previous Doctor Who mentor, ally and enemy Cardinal Borusa as the Doctor’s grandfather, aiding his grandson on a quest to find the Doctor’s his missing father Ulysses. The plot of what would become the series’ back-door pilot, drafted in 1994, fell to the Doctor’s escape from Gallifrey, a trip to London and a meeting with Churchill during World War II. Segal blamed this on his Third Doctor and UNIT obsession and a “bad case of Dad’s Army”. Leekley’s ensuing Indiana Jones-styled script pushed Steven Spielberg out of the frame, coincided with the arrival of Trevor Walton, Fox’s head of TV movies, and ultimately forced the writer’s removal. Robert de Laurentiis entered, steering the script away from Borusa, introduced a comic companion but retaining Leekley’s concept of the Master as the scripts main antagonist.

When the script fell to writer Matthew Jacobs in 1995, a wonderfully unruffled interviewee on the subject, whose father incidentally had a guest appearance in the 1966 serial The Gunfighters, he was aided by the BBC’s Jo Wright in an executive producing (and key holding) role during the sharp run-up to production. As Jacobs has said, ““My script was basically Doctor Who am I?” World War II was out, Gallifrey too, and continuity returned with the inclusion of Sylvester McCoy’s Seventh Doctor. With minimal dialogue, he was set to regenerate into Paul McGann who had seen off a number of rivals including his brother Mark to land the main role. With the canon reinstated, the Master was confirmed, continuing the antagonism that led back to his first appearance in 1971’s Terror of the Autons.

But in a production that aside from its great BBC investment, enjoyed a British director, star, two executive producers and writer, at least, the villain was what Segal called a “line in the sand”. Fox and Universal insisted on a named American actor from a prescribed list, which Segal circumspectly added was a triumph of “commercialisation over creative rationale”. And so the Master took an unexpected new form… Read more…

Doctor Who: The Master in the 2010s – “I need my friend back”

The Mistress, Time Lady and Cyberman

You’re still obeying me? Excellent. The MaRCHster takeover reaches the current age end with quite possibly the Master’s most successful comeback. But the Twelfth Doctor, made for the kind of rivalry that was denied his predecessor, encountered a Master very different to previous iterations. this was one intent on taking us all for hellluva ride. Far removed from the tin-pot schemes of the 1980s and all those miserable constraints of survival, the time of the Mistress was upon us. A tale of … Hey Missy!

Dark Water and Death in Heaven (Series 8, 2014)

IT LOOKS LIKE THE MASTER, NOW THE MISTRESS, IS BACK FOR GOOD. SERIES EIGHT WAS EMPHATIC ABOUT IT, BEFORE SERIES NINE WAS PLAYFUL… Showing her face in almost every episode during 2014, the Master’s total appearances were very nearly 25% greater by the end of that year than the beginning. All those little asides may have seemed arbitrary, even after the great reveal of Dark Water, but programme credits ensured they were canonically embedded every time. Add in her appearance in the opening two-parter of Series Nine and that rogue’s easily amassing a frequency of appearances on a par with her/his early 1970s arrival. Time to stop mixing pronouns and determiners – we all know who we’re talking about. And Missy is undoubtedly already in the league of Delgado’s dapper ‘80s incarnation and Ainley’s smug ‘80s successor. Michelle Gomez’ recent nomination for a BAFTA, something Peter Capaldi’s Doctor astonishingly didn’t achieve for his work in Heaven Sent alone, can’t be underestimated. This incarnation, quite impossible to follow, will be around some time. And there are signs that the show itself is moving in her wake. As if in acknowledgement, the last series saw the current grey haired grump of a Doctor developed an increasing penchant for velvet jackets and capes last seen during the master’s prime.

Masterful appearances The Master in Doctor Who
How the Master’s canonical* appearances stack up in 2016. (*with the honorary inclusion of 2003’s Scream of the Shalka)

40 years on from his arrival, the Master’s life cycle has reached ever new levels of absurd drama. Yes, even more than his bug-eyed husk scheming on Gallifrey or years hidden in a garden on Traken. In fact, after the slide from suave villainy to desperate skeleton during the 1970s and those ridiculous grasps at ongoing survival through tenuous plots of the 1980s, the 21st century has set a new bar for villainous highs and impossible odds of survival lows. Last decade, the Master’s return was hidden in plain sight, through rumour and electioneering. It was a light but neat exploration of what Moffat inadvertently branded the show’s timey-wimeyness in that same series; a counter-balance to the alternative timeline year of hell that formed from his actions in the last episode of the series. The Master who fought impossibly, and gothically, back from the dead to see off the Tenth Doctor at The End of Time was never quite the same as a result. He was still brilliant, still unhinged, but with flashes of skull that recalled his death-tempting slumps of the past. He wasn’t a complete incarnation and was last seen dragging Rassilon and the Time Lords back into the Great Time War from which the cowardly rogue had previously taken great pains to escape. If the Master was going to return it would have to be breaking the Time Lock and overcoming the mystery of Gallifrey that has done much to distinguish the New Series from the Classic

A new world

“Those words from me are yours now”

The world the Mistress slowly returns to is a whole lot bleaker than the one the Master left, but that’s partly down to her convoluted scheme. From the Twelfth Doctor’s debut in Deep Breath Series 8 is a bleak one over all, dogged by death and war, taking breaks in the dainty, absurd teatime surroundings of the show’s mysterious new Mary Poppins. The quick, sad and blunt beginning of Dark Water reconfirms that thanatopsis, as if it was needed. There’s still a light spin on a tried Moffat trope as the old lady’s confused voice, employing that well known Tenth Doctor line, “I’m sorry, I’m so sorry,” tells Clara that Danny Pink is dead. And so that strange relationship comes to a close in an extraordinary opening to a season finale that’s even more bizarrely the show’s first two-parter in three years. It doesn’t quite scan considering the previous series of the pair’s relationship, but sets a fast rolling beginning not for the drama but the concept. So begins a story that starts and ends in deceit, in fact it’s riddled by it. Read more…

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