Doctor Who: The Master through the decades – The New Series Compression Eliminated

The New Series Masters - 21st century

Bringing the Master’s journey up to the current day. For the past two years, Jokerside has tracked the Doctor’s arch-nemesis through time… Well, through the past five decades. From his suave arrival in the 1970s to her tussles with the Twelfth Doctor, Jokerside presents the summary… The 21st century: The Master throughout the New Series!

ARRIVING EIGHT YEARS INTO THE SHOW’S RUN, THE MASTER QUICKLY ESTABLISHED HIMSELF AT THE TOP TABLE OF DOCTOR WHO VILLAINS. The 18 years that followed saw mixed fortunes for the dastardly Time Lord, from volte faces to crispy husk, from zombie smarmy to a complete lack of priorities.

The suggestion remained however, that the foe would always return for the big moments. While the Daleks and Cybermen stole a spot in the show’s 25th anniversary season, it was the Master who backed the final story of the Classic Series. On many levels, brilliantly named Survival. Seven years later, it was the Master who took the role of antagonist in the Doctor’s short-lived foray into American television.

So surely it was a done deal that the show’s glorious return to British screens in 2005 was counting down to the greatest death-dodger’s next resurrection… It just took a couple of years. And when this Jokerside retrospective of the Master through the decades reached the 21st century, a few rules needed to be broken.

The schism caused by the Great Time War on screen and the machinations of the BBC behind it, led to two parallel glances for the first decade of the new century. The Who canon had split and the trail of the Master with it. Although it hadn’t appeared likely at the beginning of the decade, the 2000s would prove to be a pivotal decade for the despicable Time Lord. He was to take on three distinct forms, breaking out of his survivalist years with a bang, before plummeting back to them and helping to take out yet another of the Doctor’s incarnations on the way. And then things were really going to change.

But the confusion started, as Jokerside observed, with the villain’s demise at the close of the 1996 TV Movie, “an inescapable ‘curse of fatal’ type death, was subsequently picked up by two very different returns that resolved in two parallel universes. And of course, thanks to the ever-eccentric machinery of the BBC, they’re as co-dependent as they are incompatible. Yeah, and people wonder why fans are pre-occupied with canonicity… To make matters even more confusing, across the two realities there are some notable similarities to mull.”

So, let’s split the universe.

The Master in the 2000s – “Dear me, how tiresome” (A Tale of Two Jacobis)

Scream of the Shalka, online anniversary special (2003)

The Master in Scream of the Shalka and UtopiaNovember 2003 marked Doctor Who’s 40th anniversary, but there wasn’t to be much of a celebration or televised special as there had been around the show’s 10th, 20th or 30th birthdays. At least, not in the usual sense. Doctor Who was no longer a beast of television, but continued through an extended universe of audio plays, books official and unauthorised, comics, reprints, merchandise and in the of-their-time web pages of BBC Interactive.

The dream project of James Goss, then BBC producer now Who author, had to steer the production over rocky terrain to bring a new kind of special to dial-up internet across the world. Gs pulled a number of great decisions from the jaws of adversity, such as hiring Paul Cornell to pen the script. And Cornell’s take was no slavish continuation:

“Cornell crafted a classic and creepy tale in the Quatermass-mould, an innovative invasion that was in many ways a lighter precursor of the process Russell T Davies would undertake for the television reboot. It’s no surprise they came up with some similar solutions in the changed media landscape of the new century. Rightly ignoring regeneration, as Rose would, Shalka introduced a new Doctor with a notably sharper and fluctuating personality, coping with in-built angst as he struggled to shake off the grief of losing an unseen and un-named female companion. In this continuity, much to his chagrin and resentment he’s continually dispatched to problem areas by those unseen and unnamed… We can only assume that the Time Lords had a new PR team in.”

And alongside Richard E Grant’s new Doctor came was a refreshing if deceptively familiar Master in tow.

“In a series of short scenes, this Master cuts a memorable figure. Superbly voiced by Derek Jacobi, his is an incarnation very much in the Delgado mould. In many ways, this is Cornell’s love letter to that Master. But the trick here is that he’s never a major threat. As if he’s trapped in a time loop of the last few minutes of almost every one of the Delgado incarnation’s plots – forced into joining forces with the Doctor.”

Cornell managed the difficult feat of wringing classic menace and humour from the villain, enhanced by the flash-based but effective animation that often keeps, “this android Master’s silhouette in shadow amid stunningly shadowy imagery, as if to compound his mysterious constraint.” The links were never tied up, but there are clear assumptions to be drawn from this and his fate at the climax of the TV Movie. Best of all, it brought a ready-made new dynamic for the show’s leading Time Lords: Read more…

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Doctor Who: Ranking the Hiatuses!

doctor Who on hiatus

They’re a crucial part of being a Doctor Who fan. And. It’s. Happening. Again.

But how does the latest pause in broadcast weigh up?

IT’S ONE YEAR SINCE DOCTOR WHO SERIES 9 BEGAN IN A HAZE OF ODDLY PITCHED PUBLICITY. You remember: low on any mention of Davros even though that scheming despot revealed his face before the first episode’s titles rolled and high on “same old, same old – just the Doctor and Clara Oswald in the TARDIS”.  A riveting campaign.

Still, it was a whistle-stop series that ninth one. Multi-part stories had taken a lengthy break between Series 6 and 8, but they roared back in 2015. Constant two-parters and linked single-parters meant broadcast weeks flew by like a mid-western café-TARDIS in the vortex. That was compounded by the 12th Doctor’s second run, like Series 8 before it, making a mere 12 parts as opposed to the 13 instalments the show enjoyed for the first seven years of its renaissance. So, we were getting less Who and it was pelting by quicker than ever. That much was clear. But a year on, having a good look around, there’s no not a flash of a scarf, fez or velvet jacket in sight. The Doctor’s not in.

In late winter the 13th episode of 2015, the obligatory Christmas Special, was posthumously revelled to be the last episode of Doctor Who we’d see for a whole year. A whole year we were already a year into. There was to be a pause, a year off, a hiatus. It’s the kind of announcement that Doctor Who fans thrive on. Because they’re used to it. All the better that last year’s Christmas special wasn’t a full pelt classic, but a rather linear one-joke story of nothing much at all. What better to spend a year without Doctor Who, while countless other genre shows over the Atlantic churn out full seasons of over 20 episodes with little perspiration, than rewatching The Husbands of River Song. Doctor Who will return in spring 2017, likely the Easter weekend in April.

But in that spirit of pure, niggled injustice, itself celebrating a 30th anniversary this year while the one year anniversary of Series 9 goes unmarked, Jokerside pays tribute to Who’s years of utter Doctor-less misery.

Brave Heart!

Jokerside’s definitive ranking of Doctor Who hiatuses

11th Doctor hiatus
NUMBER 5 (Joint): 4 June 2011 to 11 August 2011

AKA When Nobody Noticed

Caused by: The 11th Doctor and the Ponds

It was the first sign of a horrid and virulent infection…

How we survived: Well, who noticed? It was just a couple of months. And it’s perfectly normal behaviour to split a series of 13 episodes into two batches and stage mid-series finales and premieres that impressively rendered the whole River Song story arc all the more difficult to follow.

In fact, it was the first sign of a horrid and virulent infection. This most insidious of acts led us inexorably on to Series 7 which dared split itself over two years when already saddled with mid-season companion changes and the misguided restriction to single-part ‘blockbuster’ episodes. But worst of all, that split shifted the show to… Autumn. Who in its natural habitat you might think. Rolling onto Saturday as the nights as drew in. Only it didn’t work out like that. And all the time the execs quietly hoped that shift meant that… No-one would notice we’d lost a year of Who. As of 2017 we reach the 10th series in the 12th year of is revival thanks to this middle-aged crisis.

Yes, it all started with that trip to the States and the astronaut in the lake. As strong as that first half of Series Six is (pirates excluded), very little about it makes sense.

10th Doctor hiatusNUMBER 5 (Joint): 25 December 2008 to 1 January 2010

AKA: The Specials Hiatus

Caused by: The 10th Doctor (and behind the arras, Hamlet)

Insidious and far more intelligent

How we survived: Again, who noticed? Well, everyone. Because while this was less insidious and far more intelligent than the later series splits, it unavoidably resulted in just five hours of Doctor Who in little over a year, the vast majority of it stuffed into autumn 2009. The only thing we could reasonably expect is that the promise of loner specials couldn’t quite live up to their promise at all. And so it proved. That strange year did have one essential function however: giving us an extra year of David Tennant. And it’s a template that’s stuck, unless Peter Capaldi chooses to break it. Matt Smith followed tenant and inarguably left the show one year too early. Barring accidents, it’s difficult to think that any modern Doctor won’t throw in the time-towel after three seasons and a break of some kind. Although those Specials were by far the neatest solution. Read more…

Doctor Who: The Master in the 2010s – “I need my friend back”

The Mistress, Time Lady and Cyberman

You’re still obeying me? Excellent. The MaRCHster takeover reaches the current age end with quite possibly the Master’s most successful comeback. But the Twelfth Doctor, made for the kind of rivalry that was denied his predecessor, encountered a Master very different to previous iterations. this was one intent on taking us all for hellluva ride. Far removed from the tin-pot schemes of the 1980s and all those miserable constraints of survival, the time of the Mistress was upon us. A tale of … Hey Missy!

Dark Water and Death in Heaven (Series 8, 2014)

IT LOOKS LIKE THE MASTER, NOW THE MISTRESS, IS BACK FOR GOOD. SERIES EIGHT WAS EMPHATIC ABOUT IT, BEFORE SERIES NINE WAS PLAYFUL… Showing her face in almost every episode during 2014, the Master’s total appearances were very nearly 25% greater by the end of that year than the beginning. All those little asides may have seemed arbitrary, even after the great reveal of Dark Water, but programme credits ensured they were canonically embedded every time. Add in her appearance in the opening two-parter of Series Nine and that rogue’s easily amassing a frequency of appearances on a par with her/his early 1970s arrival. Time to stop mixing pronouns and determiners – we all know who we’re talking about. And Missy is undoubtedly already in the league of Delgado’s dapper ‘80s incarnation and Ainley’s smug ‘80s successor. Michelle Gomez’ recent nomination for a BAFTA, something Peter Capaldi’s Doctor astonishingly didn’t achieve for his work in Heaven Sent alone, can’t be underestimated. This incarnation, quite impossible to follow, will be around some time. And there are signs that the show itself is moving in her wake. As if in acknowledgement, the last series saw the current grey haired grump of a Doctor developed an increasing penchant for velvet jackets and capes last seen during the master’s prime.

Masterful appearances The Master in Doctor Who
How the Master’s canonical* appearances stack up in 2016. (*with the honorary inclusion of 2003’s Scream of the Shalka)

40 years on from his arrival, the Master’s life cycle has reached ever new levels of absurd drama. Yes, even more than his bug-eyed husk scheming on Gallifrey or years hidden in a garden on Traken. In fact, after the slide from suave villainy to desperate skeleton during the 1970s and those ridiculous grasps at ongoing survival through tenuous plots of the 1980s, the 21st century has set a new bar for villainous highs and impossible odds of survival lows. Last decade, the Master’s return was hidden in plain sight, through rumour and electioneering. It was a light but neat exploration of what Moffat inadvertently branded the show’s timey-wimeyness in that same series; a counter-balance to the alternative timeline year of hell that formed from his actions in the last episode of the series. The Master who fought impossibly, and gothically, back from the dead to see off the Tenth Doctor at The End of Time was never quite the same as a result. He was still brilliant, still unhinged, but with flashes of skull that recalled his death-tempting slumps of the past. He wasn’t a complete incarnation and was last seen dragging Rassilon and the Time Lords back into the Great Time War from which the cowardly rogue had previously taken great pains to escape. If the Master was going to return it would have to be breaking the Time Lock and overcoming the mystery of Gallifrey that has done much to distinguish the New Series from the Classic

A new world

“Those words from me are yours now”

The world the Mistress slowly returns to is a whole lot bleaker than the one the Master left, but that’s partly down to her convoluted scheme. From the Twelfth Doctor’s debut in Deep Breath Series 8 is a bleak one over all, dogged by death and war, taking breaks in the dainty, absurd teatime surroundings of the show’s mysterious new Mary Poppins. The quick, sad and blunt beginning of Dark Water reconfirms that thanatopsis, as if it was needed. There’s still a light spin on a tried Moffat trope as the old lady’s confused voice, employing that well known Tenth Doctor line, “I’m sorry, I’m so sorry,” tells Clara that Danny Pink is dead. And so that strange relationship comes to a close in an extraordinary opening to a season finale that’s even more bizarrely the show’s first two-parter in three years. It doesn’t quite scan considering the previous series of the pair’s relationship, but sets a fast rolling beginning not for the drama but the concept. So begins a story that starts and ends in deceit, in fact it’s riddled by it. Read more…

Doctor Who: Moff v RTD – When Steven Moffat made History (New Who special)

Moffat Davies New Doctor Who

A special glimpse at Doctor Who for Doctor Who New Series Day! FOUR stories where Steven Moffat became the show’s most important figure.

IT’S 26TH MARCH, 11 YEARS SINCE ROSE FIRST SCREENED ON BBC ONE AND SO DESIGNATED NEW WHO DAY ON JOKERSIDE. We loves an anniversary and so does the Doctor but following last year’s look at how the New Series measures up to the Classic Series, what to look at this time?

Well, as usual with the good Doctor, these are interesting times. Off the back of Series Nine, quite plausibly the best series for many a year although hamstrung by a weak pay off, things could have been rosy for the confirmed tenth series. But things are seldom such plain sailing. The New Series, having contributed over 40% of the show’s stories in just the past 11 years, was seemingly going nowhere. And then came the show entering what Jokerside considers to be its third worst ever hiatus.  2016 will see a measly single episode of the show, recalling the dark emptiness of years like, well, 2014. Still, it’s another indication of the odd difficulty that a series obsessed with change has with production changes as Moffat makes way for Chris Chibnall in 2018.

But, with a year up his sleeve, the last year has proved a momentous one for Steven Moffat. Already holding the record for writing for the most incarnations of the Doctor onscreen since he advented the twelfth incarnation, he’s now Who’s most prolific writer and most senior figure of all time. So for this anniversary, Jokerside’s taking a look at… WHEN MOFF TOOK OVER!

Classic track back

Hulke and Whitaker have sole dibs on the legend off writing for each of the first three Doctors

During the classic era, the legendary Robert Holmes lead the writing field having contributed 16 stories across five Doctors, starting with the Second Doctor adventure The Krotons in 1969. It was his record of writing cross-generationally onscreen that Moffat broke in 2013 with the casting of Peter Capaldi and the sly minisode Night of the Doctor which gave Paul McGann’s Eight Doctor a fine belated send off.

Dalek JokertoonDuring those classic years, only Terry Nation (with 10), David Whitaker (eight) and Malcolm Hulke (seven) came close to Holmes. Those three were part of the old guard, with Nation masterminding mostly Dalek Stories all the way up to 1979’s less than imperious Destiny of the Daleks. In the meantime he had introduced the first arcs of sorts (The Keys of Marinus and The Dalek Masterplan crossed serials like never before), took the Daleks to Hollywood and founded Blake’s Seven and other classic shows. David Whitaker was Who’s original script editor, setting up the template amid the show’s wonderful early democracy and overseeing the introduction of those Daleks when he pushed Nation’s script to screen. Hulke and Whitaker have sole dibs on the legend off writing for each of the first three Doctors, even though Whitaker had suspicions that the show would never be renewed in 1964. While Nation wrote for the Fourth Doctor, he missed out on Patrick Troughton’s Second Doctor while he took the Pepper pots to America. Intriguingly, it was Whitaker who stepped into the Skaro breach to pen two adventures for Troughton’s first year under script editors Gerry Davis and Peter Bryant that are justifiably filed under definite, if lost, classics.

New acceleration

When the New Series roared back under the excellent stewardship of Russell T Davies, it was no strain for the new model lead writer to surpass those classic benchmarks. Stripped back to 13 x 45 minute episodes a year, the American styled showrunner role wasn’t barred from commissioning themselves to write stories like the old model script editor had been, but would instead take point in plotting the seasons, arcs and key episodes. The lost stats would go to episodes, with a primary focus on sewing up stories in a single run of 45 minutes, some records were left to the Classic years.

By the time of his departure in 2009, Davies had penned 25 episodes to Holmes 16, although the eminent Classic writer’s 64 episode contributions are almost double Davies’. And that’s not comparing the various rewrites Holmes nor indeed Davies carried out on stories that fell under their production tenures as script editor and lead writer respectively. Speculation suggests that rewrites and advanced script editing were more common under Davies than Moffat’s era despite the co-written episode that popped up throughout the enhanced Missy arc of 2014’s Series Eight and into Series Nine – recalling the collaborative approach that Davies took to 2009’s year of Specials.

Head to Head

Steven Moffat’s time in charge will stand gigantic in Who’s immense history

With Series Nine taking the number of years under Moffat’s control to five, he clearly surpassed Davies Four Series and Specials. With one series to wrap thing sup, splitting his tenure almost neatly between three series of two Doctors, there’s no doubt that Steven Moffat’s time in charge will stand gigantic in Who’s immense history. It’s possible, but surely unlikely to be beaten for a very long time.

To measure how considerable his presence has been, look at him in the context of the show’s 52 and half year history.

Of the whole show’s 52 and a bit years of 826 episodes, 263 stories and 35 seasons/series, Moffat has overseen 7%, 22% and 15% respectively. So far. And to rub it in, he’s introduced two memorable Time Lords who will both sit highly in story rankings while quite plausibly introducing the show’s greatest count of new monsters (and reintroducing two second tier classics in the Silurians and Ice Warriors).

So when did Moffat succeeded RTD as the show’s most significant figure?  

Sound of Drumroll…

The rules have been kept very simple in this tussle of the Time Lord Herding Titans. Only series and full length specials count towards episodes or stories. No specials like Time Crash, minisodes or extra scenes. And definitely not Moffat’s Curse of Fatal Death from 1999. Read more…

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