The Dark Knight at 10: 10 ways it Introduced a Little Anarchy

Batman The Dark Knight at 10

“Why so Serious?”

Heath Ledger’s Joker, disappearing pencils, Harvey’s lucky coin, love triangles, Batpods and a Caped Crusader having to cross the line. Cinema’s greatest comic book adaptation was released 10 years ago.

It’s a decade since the majestic centre point of Chris Nolan’s Dark Knight trilogy simultaneously elevated the perception of what comic book films could be on film and set a tone, whether resisted or followed, for a genre making its way to the top of the box office.

Perhaps it’s no coincidence that the year of The Dark Knight’s release also saw the launch of the Marvel Cinematic Universe, imperceptibly starting on its own journey to redefine Hollywood blockbusters. That behemoth began rather inauspiciously with the double-bill of an unstoppable force of chaos and a super crime fighting multi-millionaire playboy. Although there was little appreciation that the billion dollar box office barrier The Dark Knight smashed through would soon become de rigueur for the flagship films of DC’s great rivals.

Nolan’s vision soon proved to be definitive to the point of irony in the fast-growing comic book genre.

A decade on, The Dark Knight stands tall as Batman’s finest celluloid hour. That’s saying something for a film that’s part of a rigid, isolationist trilogy and for a character whose live action pedigree stretches across multiple iterations and 70 years. Nolan’s vision soon proved to be definitive to the point of irony in the fast-growing comic book genre. The trilogy was an impossible springboard for an expanded film universe, but it set the tone under the light guiding hand of Chris Nolan for the difficult DC Extended Universe that followed in the past decade.

The Dark Knight wasn’t the first comic book film that strove for a level of realism or ‘darkness’, but it’s effect was immediate. Given the successful but unfashionable steps to colour that DC’s big hitters Superman and Batman had taken in the 1960s and 1970s, in the 21st century their incarnations would be set by The Dark Knight. The DCEU that duly emerged half a decade later was dark, gloomy, robust, powerful and hard-hitting. This was the universe of gods, eager to set a strong and lofty tone that comic pages could translate to screen. It now seems odd now that this sprang from the grounded and gritty Dark Knight trilogy as much as Nolan’s film’s became a watchword for darkness (read ‘not kids films’) without being mired in it, unlike Batman versus Superman or Man of Steel.

There have been few disasters in the DC films that followed. 2011’s Green Lantern may be the true exception, although that came mid-Dark Knight trilogy. But there have been plenty of disappointments, a far cry from the heights of The Dark Knight and The Dark Knight Rises. The impact of Nolan’s trilogy on the DCEU is still difficult to call. On the anniversary of The Dark Knight’s release this weekend, Warner Brothers premiered trailers at San Diego Comic Con for two new DC films that broke their so-called dark curse: Shazam and Aquaman. Alongside those was an early glimpse at the New Romantic-set sequel to one of last year’s great comic film successes, Wonder Woman.

Wonder Woman may have felt like a fresh slice of quality amid other major DC output from the last few years, but it’s storytelling style, reach and multiple levels owed much to Nolan’s trilogy, proving that Batman’s greatest celluloid moment, has a legacy as complex as its narrative.

To celebrate the modern comic classic, Jokerside presents 10 ways The Dark Knight broke the mold and unexpectedly gave us one of the most influential films of all time.

Dark Knight at 10 - Batman

1. It’s extraordinarily faithful

“I think you and I are destined to do this forever”

A struggle with origins have long dragged down the comic book medium, and the rot set into Batman’s modern film existence as soon as Tim Burton’s 1989 classic let a rather homicidal Dark Knight avenge his parents’ death. 2005’s Batman Begins made its more mature intent clear: there were no easy answers, and the crux lay in the battered tussle between Bruce Wayne and Batman.

It was a broad canvas ready to be explored in the sequel, but what was extraordinary was Nolan’s faithfulness to the source material. Joker was no stranger to public consciousness, but his film credentials were tied up in Jack Nicholson’s definitive 1980s take. The rather obvious idea of directly translating many great and classic storylines from the pages of comic books has only settled in over the past decade. After Begins Nolan had his sights set on the very beginning of Batman’s much explored and interpreted nemesis, and adapting an origin lost over decades of character development.

In the run-up to the film, eyebrows raised at Nolan’s assertion that his Joker would follow the character’s original 1940 comic book appearance. But there it is. The chillingly cool opening bank robbery, albeit to a different end, shows the same effective big dollar robber. Working alone for the most part, this Joker is quite at home with physical altercation, even if he doesn’t quite match his early comic book counterpart who could best Batman in a scrap. He comes from nowhere, with no identity but an intelligence to match the otherworldly comic horror of his appearance. And just as in Batman #1 the Joker issues warnings before commiting crimes. Now in a different medium, and not so clearly because he’s obsessed with his own brilliance, he still remains a man of his word. Read more…

Batman at 75: The Joker – Anonymous Clown

The Joker from his first appearance

The man who laughs, the man without an origin, the man with hundreds of origins. The final part of the Batman at 75 articles can’t look at anyone else but the Clown Prince of Crime and try to touch on his roots…

THIS FINAL BIRTHDAY POST FOR BATS MAY BE A LITTLE LATE…. BUT THAT DOESN’T MEAN IT ISN’T PERFECT. WHILE LAST YEAR WAS BATMAN’S ANNIVERSARY, THIS YEAR IS THE JOKER’S 75TH BIRTHDAY.

Yes, the Joker. The Harlequin of Hate. The Clown Prince of Crime. The villain with a hundred nicknames. And quite possibly the greatest fictional nemesis ever devised. He’s a villain, though not one restricted by his matching hero. He’s famous in his own right, a symbol and a sign, a definite statement of something… So, it’s a welcome luxury that the Joker has surpassed mere origins for his 75 years of existence. When it comes to his nocturnal and ultimate foe, retcons may alter facets of his origin story – the role his butler took or perhaps the ‘rediscovery’ childhood friends – but up to the bat and the window he’s very much defined by the strict facts of his origin. The Joker isn’t. The Harlequin of Hate is Batman’s opposite after all, despite classic stories that have drawn out the similarities as much as those polar difference.

And of those stories, some of the greatest stored in the Bat Computer have given, or at least hinted at origins for the laughing rogue. But one was never afraid to contradict another, or pick and embellish them as they wanted. It’s absolute freedom (within editorial reason); it’s continuity chaos.

Off page it’s a similar story. Various influences have been cited as an influence by a number of comic legends, including the father of the Dark Knight Bob Kane.  Add to that the vast number who have filled in to expand and explore it since. Of course, as this is the Joker we’re talking about nothing’s straightforward. And just like his villain’s own autobiography, neither any writer’s attempt nor Jokerside’s dip into the acid can be exhaustive.

So dotting through the life, times and media of the Clown, here are some select glances at Joker’s many zero years. Of course, the joke’s on everyone. For a character all about obscurity he sure has a lot of people trying to redefine him. And for every fact you think you learn, by the end you find that he hasn’t given a quarter. No matter how many times he seems to come last.

1940 – Cold-blooded murderer

“The Joker has spoken!”

Last September, Jokerside’s hot off the press review of Batman #1 caught the arrival of the villain who was to quickly rise above the greatest rogues’ gallery in comicdom:

“First and foremost is the debut of that deadly clown, a grim jester known only as the Joker whose statement of intent is immediately made clear when he makes a sinister ‘return’ before the book is even done.” Read more…

Batman at 75: Gotham City on Film II – Cracked Actor in the 21st Century

Gotham II Bane

The tale of a paved and cracked actor. As Gotham turns one of the most the famous fictional cities into a television character, a look at how the city that has Batman as its guardian has fared on screen since the tun of the century…

THE FIRST PART OF THIS RETROSPECTIVE TOOK A LOOK AT THE FICTIONAL CITY AS IT WAS PORTRAYED ON THE BIG SCREEN THROUGHOUT THE 20TH CENTURY. With a new century the hero was fast entering his seventh decade, so what could that mean for one of America’s oldest cities? Well, the cinematic adventures of the previous decade had forced the bat glove, with a need to reboot and retune. It was time for something darker, edgier and less comic book. So, Warner Brothers turned to Christopher Nolan.

Batman Begins (2005)

Bruce Wayne couldn’t simply be a creation of his home town

It would be wrong to simply describe Batman Begins as more realistic, but its palette was instantly expanded to include it. No film had really touched the origins of Batman; the nearest stabs being 1989’s freshly minted suit and Forever’s trawling through childhood trauma. Starting with the discovery of the Bat Cave in the grounds of Wayne Manor, on the outskirts of Gotham’s Palisades, Begins then takes us out of Gotham for long swathes. Bruce Wayne couldn’t simply be a creation of his home town.
Read more…

Batman at 75: Gotham City on Film I – Ill Met By Moonlight in the 20th Century

Batman's Gotham City on film

The tale of a paved and cracked actor. As Gotham turns one of the most the famous fictional cities into a television character, the first part of a look at how Batman’s city that has fared on screen, From the Manhattan of the 1940s to the nadir of 1990s excess…

“GOTHAM CITY… CITY OF JUSTICE, A CITY OF LOVE, A CITY OF PEACE, FOR EVERYONE OF US…” IS HOW R KELLY SERENEDED GOTHAM CITY ON THE TIE-IN ALBUM FOR 1997’S BATMAN AND ROBIN. One of the greatest mis-readings in popular music for one of the stupendously misguided films in cash cow history.

A jump to the comics may help. “I’ve forgotten what Gotham feels like… Night after night, hopelessness just tries to beat down anything good”.

That’s more like it. An optimistic analysis from the primary coloured, long-livid and original Green Lantern Alan Scott on a rare occasion he worked with the Dark Knight (Ed Brubaker’s Made of Wood).

From Green Lantern, through Catwoman, Gotham Central, all the spin-offs, contagions, earthquakes, Scott Snyder’s skilful rebooting as a City of Owls in the New 52 through to Lego:Batman, Arkham Origins and the expansive animated portrayals… Gotham has probably been detailed more than any other fictional city. Since it replaced New York as the Caped Crusader’s hometown in the 1940s it’s become a character in its own right, a definitive part of the myth of the Batman.

But on the big and small screens it’s a different story. Read more…

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